Of course, the cheapest solution is to use the electronic viewfinder right above the LCD, but this is not always convenient for those who are moving the camera around constantly. The next problem with the Sony A6500 is its tiny screen, which is hard to view in awkward angles and bright sunlight. Alternatively, you could run the camera on external power sources via the Micro-USB port on the side or by using a dummy battery connected to a larger powered battery unit. If you’re short on cash, however, you could get batteries from third-party manufacturers that are cheaper and perform just as well as Sony batteries. To solve this, the simplest solution would be to buy a lot of extra batteries to have on set. Mainly due to its small form-factor, the unit only has a room for a tiny battery which can be depleted in an hour or so, depending on your shooting settings. To sort things out, seasoned filmmaker Tom Antos provides some practical tips and tricks on how to solve the most common problems one may come across when filming with the A6500.Īrguably, the most annoying issue with the camera is its atrocious battery life. Some of these issues include overheating, rolling shutter artifacts, manufacturer limitations, and the list goes on. While the camera is essentially a godsend to most indie filmmakers, just like any other rival, the A6500 does have its own quirks, and it’s far from perfect.

In addition, the built-in five-axis sensor stabilization and exceptional low light capabilities give users the best bang for the buck, especially when you consider the relatively low price tag. For video shooters working on a budget, there is no other entry-level camera like the Sony A6500, a compact mirrorless delivering high-quality 4K footage that can easily be intercut with clips from way more expensive cinema-grade cameras, or even hold its own visual style and aesthetics in an entire project.

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